Design Education Talks ep. 59 – Andrew Brewerton

Paul Blackburn on Design Education, Studio Culture and the Loss of Depth – Design Education Talks

In this episode of Design Education Talks, I speak with Paul Blackburn, founder of Studio Blackburn, about what really forms a designer beneath the surface of projects, portfolios and professional success. This is a conversation about studio culture, typography, process, boredom, business, AI, educational character and the slow formation of creative judgement. Paul takes us through his own journey from Barnsley College of Art and Design to Ravensbourne, Nova Scotia College of Art and Design and Central Saint Martins, each institution offering him a different philosophy of what design could be: disciplined, rhetorical, cultural, experimental, commercial and human. Through these experiences, and through his later work with major clients and young designers, he reflects on what design education once gave students through time, proximity, osmosis and studio life, and what may now be disappearing through modularisation, standardisation and the reduction of education to service delivery. At the heart of the conversation is a powerful question: how do we prepare students for professional reality without reducing them to employable operators? Paul reminds us that the studio is not a timetable, a room booking or a sequence of modules. It is an ecology of attention, conversation, discipline, making, repetition, frustration, discovery and becoming. In an age of AI, where the so-called boring junior work may disappear, this question becomes even more urgent, because hidden inside that repetitive work was apprenticeship, observation, patience and the development of judgement. This episode is not a nostalgic look backwards, but a serious invitation to rethink the future of art and design education around depth, character, human intelligence and the conditions in which young people can truly become designers.Support the showSince its inception in 2019, Design Education Talks podcast has served as a dynamic platform for the exchange of insights and ideas within the realm of art and design education. This initiative sprang from a culmination of nearly a decade of extensive research conducted by Lefteris Heretakis. His rich background, intertwining academia, industry, and student engagement, laid the foundation for a podcast that goes beyond the conventional boundaries of educational discourse.See all of our work on on https://linktr.ee/thenewartschoolFollow us on twitter at @newartschoolRead our latest articles at https://newartschool.education/and https://heretakis.medium.com/Equipment used to produce the podcast:Rodcaster pro IIRode NT1 5th generationElgato Low profile Microphone ArmMonster Prolink Studio Pro microphone cableThe rest of the equipment is here 👉https://kit.co/heretakis/podcasting
  1. Paul Blackburn on Design Education, Studio Culture and the Loss of Depth
  2. Lauren Alexander – Designing with Care, Complexity, and Responsibility
  3. Design as Experience: Ksenija Miļča on Interiors, Branding and Education
  4. The Education of Attention: Esen Karol on Design, Publishing and Joy Teaching Designers to See: A Conversation with Esen Karol
  5. Simon Collins – What Design Schools Get Wrong About the Real World

Andrew Brewerton recently retired as Principal & Chief Executive of Plymouth College of Art and was founding Chair of Governors of Plymouth School of Creative Arts. He has served on numerous national bodies including the National Council of Arts Council England, the Creative Industry Federation’s UK Advisory Council, and was Vice-Chair of the Prime Minister’s Initiative (PMI2) for International Education. He is currently Chair of Trustees of Plymouth Arts Cinema and an Advisor to the Cultural Learning Alliance. He has lectured and published widely internationally and was Distinguished Professor of Shanghai Academy of Fine Art and an Advisory Board member of the Shanghai International Art City (SIAC) project. A book-length monograph on his contribution to Art & Design education in China, was published in Shanghai in 2011.

A former Principal of Dartington College of Arts, and Dean of Art & Design at the University of Wolverhampton, his work since 1994 in acadæmia followed a decade in glass design and manufacturing, latterly as head of design and development at Dartington Crystal (UK). An English graduate of the University of Cambridge, Andrew is a poet and writer on contemporary glass and on contemporary art in China.Support the show

Follow us on twitter at @newartschool
Visits us on https://linktr.ee/thenewartschool
Read our latest articles at https://heretakis.wordpress.com/
and https://heretakis.medium.com/

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