Cal Swann: Professor of Typographic Design and Legacy

Design as Experience: Ksenija Miļča on Interiors, Branding and Education Design Education Talks

In this episode of Design Education Talks, we speak with Ksenija Miļča, Assistant Professor and Head of the Interior Design and Brand Design study programmes at EKA University of Applied Sciences in Riga, Latvia. Her work sits at the intersection of brand identity, spatial design, visual communication, sustainability and design education, bringing together questions of aesthetics, value, meaning and human experience.Together, we explore how design education can move beyond fragmented courses and passive learning towards a more integrated, practical and reflective model. Ksenija discusses the importance of real projects, material experimentation, interdisciplinary thinking and international collaboration, showing how students can learn to connect theory with practice and develop the confidence to work with complexity.This conversation is about more than interiors or branding. It is about how design forms relationships between people, spaces, organisations and values. At a time when education is being reshaped by technology, sustainability, global exchange and changing student needs, Ksenija’s perspective reminds us that design education must remain close to reality while still protecting imagination, judgement and creative courage.Support the showSince its inception in 2019, Design Education Talks podcast has served as a dynamic platform for the exchange of insights and ideas within the realm of art and design education. This initiative sprang from a culmination of nearly a decade of extensive research conducted by Lefteris Heretakis. His rich background, intertwining academia, industry, and student engagement, laid the foundation for a podcast that goes beyond the conventional boundaries of educational discourse.See all of our work on on https://linktr.ee/thenewartschoolFollow us on twitter at @newartschoolRead our latest articles at https://newartschool.education/and https://heretakis.medium.com/Equipment used to produce the podcast:Rodcaster pro IIRode NT1 5th generationElgato Low profile Microphone ArmMonster Prolink Studio Pro microphone cableThe rest of the equipment is here 👉https://kit.co/heretakis/podcasting
  1. Design as Experience: Ksenija Miļča on Interiors, Branding and Education
  2. The Education of Attention: Esen Karol on Design, Publishing and Joy Teaching Designers to See: A Conversation with Esen Karol
  3. Simon Collins – What Design Schools Get Wrong About the Real World
  4. Graham Fink – Why Process Matters More Than Finish in Creative Work
  5. Dan Vlahos – Dynamic Media, Critical Thinking, and Design Pedagogy

Cal Swann attended art school in his hometown at Leicester College of Art in 1951. Specialising in typography under Tom Westley for the last three years, he gained the National Diploma in Design (Typography) and Full Tech C&G in Typographic Design in 1956.

RAF National Service followed, and then quick career moves in print design, a couple of advertising agencies and eventually lecturing. Job chasing took him to London and elsewhere around UK. He produced his first book Techniques of Typography in 1969 while lecturing at Manchester College of Art and Design. An interest in linguistics was enhanced with an MA in Applied Linguistics, Lancaster in 1986, resulting in his second book Language and Typography in 1991, also with Lund Humphries.

Cal was Head of Graphic Design at Saint Martin’s School of Art in Covent Garden from 1981-86 and his last position in UK was as Dean and Professor of the Faculty of Art and Design at Liverpool Polytechnic.

He moved to Australia in 1989 as Head of Design at the University of South Australia where he was awarded a Professorship in Typographic Design. Cal was in 1996 appointed Professor of Design at Curtin University, Perth, Western Australia where he launched the first totally online Master of Design in 1998. Retiring from fulltime professoring in 2001, he was still active in design and teaching and developed and taught three typographic design units online for Virtu Design Institute until 2019.

He is continuing writing and designing (and playing a little amateur jazz on vibraphone) and enjoying a relaxed retirement with his wife Sandra, about 50K south of Perth and next to the Bush, in Western

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